The Wisconsin Project: Found: Lance Little Eagle, Wisconsin Dells

28.9.13

Found: Lance Little Eagle, Wisconsin Dells


Found: Lance Little Eagle, Native Winnebago Indian Wisconsin River Guide Autographed and dated 7/24/76 Photo by John A. Trumble Published by Dells Photo Service, Wisconsin Dells, Wisconsin Circa 1960s

Found: FOOTPRINTS IN THE SAND mark the trail of a beautiful maiden as she welcomes
a visitor at sunset along the shores of the Wisconsin River.
Photo by John A. Trumble.
Published by Dells Photo Service, Wisconsin Dells, Wisconsin
Circa 1960s

John A. Trumble tapped into the fashion sensibilities of the swinging 1960s to depict "Native Winnebago Indians" in Wisconsin Dells. Kicky mini-skirted "Indian Maidens" and groovy long-haired bell-bottom wearing Indian boys predated Cher's glittery-feathered cover of a ballad of Cherokee-strife called "Half-Breed" in 1973 (written by Al Capps and Mary Dean). Trumble's images fueled the Wisconsin "tourism craze" for hiring native Americans as Wisconsin River Guides in the 1960s and 1970s. Selling autopgraphed postcard portraits of the guides for profit was integral and working for the tourism industry provided a livlihood for displaced Ho-Chunk (then known as Winnebago) whose other alternative was working the cranberry bogs. Though there is little evidence of Trumble's work accessible to us today, we note he self-published a 31 page book of his photographs titled The Dells of the Wisconsin River in 1965 and left a legacy of these kitschy Native American chic postcards to ponder.

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THE WISCONSIN PROJECT

Our research-driven Wisconsin Project contemplates the rooted-ness and state-of-mind resulting from inhabiting a single place, our native Wisconsin, for a long time. Through critiquing postcard views both made and found, we learn a great deal about past and present Wisconsin. We began making postcard views of the places immediately around our studio and on our drives around Wisconsin in about 2008. We use the vintage postcard film format and print the cards in palladium and cyanotype. By communicating details of a specific place, seeming to register only marginally on the national radar, the project seeks to bring audiences into a Wisconsin mental space. Some in the art world would argue that the Midwest, particularly Wisconsin, makes for banal “fly over” subject matter. Our project challenges that by finding meaning in the ordinary and inviting audiences to examine, dialog, and reflect on the particular emotional quality of the idiosyncrasies of place and the perceptions of those both inside and outside of it. Sometimes distant memories are involved and a longing for a time now gone. Wisconsin’s glacier inflected landscape and proximity to the Great Lakes creates an exotic arena for living that informs our project. The life cycle plays out and rural and urban ruins serve as monuments to existences as people, places, and ideas surface then vanish. Ultimately, we aim to grapple with complex perceptions of Wisconsin ranging from nostalgic, romantic, and idealized--as depicted on myriad real photo postcard and standard tourist postcards--to mysterious, dark, and Gothic as conveyed in works of art and literature such as Michael Lesy's "Wisconsin Death Trip" book and Werner Herzog's "Stroszek" film. The project culminated in a residency with workshops and community collaborations and the installation "We Go From Where We Know" at the John Michael Kohler Arts Center 10.13.2013-3.7.2014 and later the Harvestore Bandshell for Fermentation Fest in 10.2014. The blog continues the exploration of postcards.