The Wisconsin Project: deer

23.11.14

Found: A Little "Dear," Hayward, WI

Found: A Little "Dear" with a "Bare" Behind, Greetings from Hayward, Wisconsin
© Curt Teich & Co., Inc., C. T. Animal Scenes - 10 subjects. Genuine Curteich-Chicago
"C.T. Art-Colortone" Post Card (Reg. U.S. Pt. Off.) Circa 1930.

Lumberjacks harvested all the pine trees in Hayward in less than 50 years. The town needed something new to drive their economy so by 1922, tourism was it. Post cards like this showing the wild life attracted travelers to the north woods. Today Hayward has the largest fiberglass sculpture in the world with its infamous muskie mascot for the Freshwater Fishing Hall of Fame.

19.9.13

Found:Greetings from Minocqua, WI

Found: Plenty of Young "Deers" Here, Greetings from Minocqua, Wis.
Made by E.C. Kropp Co., Milwaukee, Wis. circa 1930s.
Handwritten text on backside:
Dear Aunt Mary, We have lots of swimming and fishing here, also hiking and golfing,
but we don't do the golfing. There is a baby deer here of seven weeks old.
Love Gertrude" postmarked July 29, 1937

Minocqua's website boasts of November being the opening of deer hunting season, which is "practically an official holiday and an important part of our Northwoods heritage." Ike Eisenhower was a "regular Minocqua visitor" due to its wilderness beauty and the town is the birthplace of the Association of Wisconsin Snowmobile clubs. This postcard of young "Deers" grazing shows the creatures inhabiting a landscape of birch and cedar where they became a spectacle for the Minocqua tourist of yore.

THE WISCONSIN PROJECT

Our research-driven Wisconsin Project contemplates the rooted-ness and state-of-mind resulting from inhabiting a single place, our native Wisconsin, for a long time. Through critiquing postcard views both made and found, we learn a great deal about past and present Wisconsin. We began making postcard views of the places immediately around our studio and on our drives around Wisconsin in about 2008. We use the vintage postcard film format and print the cards in palladium and cyanotype. By communicating details of a specific place, seeming to register only marginally on the national radar, the project seeks to bring audiences into a Wisconsin mental space. Some in the art world would argue that the Midwest, particularly Wisconsin, makes for banal “fly over” subject matter. Our project challenges that by finding meaning in the ordinary and inviting audiences to examine, dialog, and reflect on the particular emotional quality of the idiosyncrasies of place and the perceptions of those both inside and outside of it. Sometimes distant memories are involved and a longing for a time now gone. Wisconsin’s glacier inflected landscape and proximity to the Great Lakes creates an exotic arena for living that informs our project. The life cycle plays out and rural and urban ruins serve as monuments to existences as people, places, and ideas surface then vanish. Ultimately, we aim to grapple with complex perceptions of Wisconsin ranging from nostalgic, romantic, and idealized--as depicted on myriad real photo postcard and standard tourist postcards--to mysterious, dark, and Gothic as conveyed in works of art and literature such as Michael Lesy's "Wisconsin Death Trip" book and Werner Herzog's "Stroszek" film. The project culminated in a residency with workshops and community collaborations and the installation "We Go From Where We Know" at the John Michael Kohler Arts Center 10.13.2013-3.7.2014 and later the Harvestore Bandshell for Fermentation Fest in 10.2014. The blog continues the exploration of postcards.